as you may already know about it, the artist costello (who is living in bordeaux at the moment) is releasing his first ep on boxon records. costello, 23 years old dj/producer, already appeared in international labels (plasmapool, party like us, big fish recordings, dust traxx chicago) and made remixes of artists such as missil, dilemn, stereoheroes, udachi or gooseflesh. thanks to his insane shows, his youth influenced by a good dose of strength and technique, and his electro 90s sounding break, rock or hip-hop, he managed to make a name.
supported by alex gopher, don rimini, missil, cyberpunkers, beataucue, the bloody beetroots, franki chan, mstrkrft, malente, larry tee, calvertron, polymorphic, tommie sunshine, human life, lazy rich, andre dalcanà, ...

l kubic is the berlin based producer lars niekisch. already in the 90s he was playing keyboards and writing songs in various bands. he also did his first producingsteps working as a programmer and co-producer at a music studio. later he and his good friend alec trick founded their project trick & kubic. on his journeys around the globe, inspired by all the impressions, he collected lots of musical ideas. based on these fragments l kubics first solotracks were produced back home in the studio. his first solo project was signed to buzzinfly, berlin label blackfoxmusic followed straight away ...
big with: nic fianciulli, matthew hoag, andrew grant, david west, jay lumen, einmusik, jaxson, pierre deutschmann, cashmere ...

unless welcomes now for its 6th vinyl release the duet bla bla bla with an impressive 3 track ep so called prisma ep. this recently created duet are serginho and mecre, some important and respected personalities of porto city who handle for many years now the local underground scene. serginho as an old school ruler and charismatic dj and mecre already approved as an impressive studio producer wanted to deliver some musical works. prisma ep starts with bad disco on a side which uses samples of old classic house tracks as a tribute to house music at the beginning of the 90s. mayfield the first track on the b side evokes some tribal feelings with deep textures and some actual techno dub also. finally the second track of the bside is rom a tech house track building its drum pattern on a massive bass line

bla bla is back with 2 oldies. k-hand and eddie richards. flash back back from the early 90s and someday from the beginning of 2000. with new analog masters/ mixdowns. 2 incredible rmx s by julien chaptal and e-contact. so get your asssssss on the dancefloor because you won t sit still.

bassbuero a.k.a. thomas ingold and his partner björn müller are long-year resident djs and promoters in our hive club and come around the corner with a smooth customer debut. the title could not be any more designative, as with this is not house music we have a knotless and outstanding 90s number with lots of pathos and - declaredly - they have looked over some shoulders of big protagonists from france. when the vocoder chords are crossing swords with this insane bassline, every ravers heart must beat at least one octave higher. this is the tune for a perfect sunrise and big feelings on the floor. on the flip we have gruber & nuernberg, some good pals of bassbuero that played in hive several times as well - they contribute a complete antipole to the the original. almost a bit trancey they spin the chords over a straight old school house groove, never let the basic spirit of the original out of sight and though don t forget to leave their very own traces on this remix. in addition we have - as with every release - a digital exclusive bonus track, that certainly does not deserve the rating house music - lets call it rather fidget than deep. but be sure, its all gone will blow your mind out.

2010 proggy electrohouse mixes, plus original 90s disco house version

mini compilation 12 inch from dikso imprint including francis inferno orchestra, nicholas and no request.
side a: francis inferno orchestra – so drive - hailing from australia, griffin aka francis inferno orchestra provide us a beautiful fix with cool codes & keys. wait for a gorgeous vocal in!
side b1: nicholas – never - the man behind no more hits label supply us early 90s pad code atomosphere with slow funky beats.
side b2: no request – jonesin or you - beatdown style fat drum & bass, beautiful horns& strings with mighty vocal.

italians do it better owner/traveling dj salesman/heavy record collector mike simonetti takes an edit to three very obscure 90s house tracks. we were able to recognize the a-side with some help. the track was altered significantly and intro extends and builds and builds and builds... the two tracks on the b-side sound like 90s japanese piano house and a happy house rave track flipped on 33 but to be honest, we have no idea what they are.

double a side release from a london based unknown artist on this dark dubstep label inspired by early 90s sampling culture. first tune up is a dark and heavy stepper with sinister vocals drenched in echo. mutated basslines sit nicely under face slap snares. flip side is a nice roller that never lets up, a chunky bassline plays off the relentless beats while paranoia samples bring on the thc induced psychosis.

mowars 7th release is an all-belgian production. belgian producer ozka, who released on aesthetik records back in 2006 and was part of the 6th sense collective during the mid 90s with releases on dave angels rotation, is back in the studio churning out tracks. his hidden roots ep on mowar shows his love for basic mental grooves with clear detroit and uk techno influences.

it is incredible and a little unnerving to discover that rio padices first forays in production came as recently as 2007. 2008 saw him publish his first productions on mosaik musik, which were of a more minimal, techno nature. 2009 saw the successful collaboration with metroline limited, which has spawned a a number of releases and remixes, most notably his road to alberqueque and twin peaks eps. the same year also saw rio join forces with massimo di lena under their new alias >horacio< to release two ep s on the highly acclaimed raum musik and cynosure labels.with rio currently devoting his time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them

oh sheesh - it doesnt take genius to work out who was leading the tribe on this one! the flip contains a rick wilhite remix of the 90s classic urban tribe production, d2000 (originally a one sided 12inch on mowax). big record. rick wilhite and his vibes new&rare music record store have been a main source in detroit for over 17 years. his store is the place to go for many detroiters looking for new soulful, electronic music. and as a dj and promoter rick has been holding it down for years. next to that he mostly known for his affiliation with three chairs (together with kenny dixon jr & theo parrish) and for his solo recordings, under his the godson pseudo. now its time for rick to get his peers and friends in the mix for his first compilation, aptly titled vibes new&rare music. the compilation is spread out over four 12 inches, which will be followed by a compilation cd with exclusive tracks and features only the best of chicago and detroit electronic music. all tracks are new and exclusive

half-swedish/half british artist leif is based in the uk. in the past few years, leif has forged a reputation within the underground scene for his trademark sound - a blend of minimal house that encompasses elements of deep dubby tech-house, bleepy minimalism, delicate chord soundscapes and enough chicago-house style shuffle to to keep the dancefloor moving. it is a fantastically rounded ep that pleases fans from all corners of the house world with the uk sounds of the original, azuniÆs twinkle of the eye of 90s us, and a raise of the eyebrow from the tech-jazz of sheÆs kooky.

following his wicked remix of the revenges forever in their debt, home taping welcome back the maverick dj and production talent that is red rack’em. red is the force behind the much loved smugglers inn radio show and has had releases on top imprints like tirk, untracked and deep freeze for which he has received props from the likes of gilles peterson, mr scruff and greg wilson amongst others. in his first outing for the imprint red decides to fuse two very different sides of his musical repertoire. the first cut, pressure is an early 90s inspired banger that draws from his teenage experiences of house music and captures the spirit of those end of festival dj sets when the dance floor is really going off. flipping over to the other side, back home is an expertly crafted slo mo collage of sounds which was written back at his parents home in a scottish fishing village and is all about reds feeling of being at home and sifting through his dads record collection looking for inspiration. also on the flipside, is up and coming japanese producer and red rack em favourite kez yms beautifully deep detroit inspired rework of pressure. put house back into your life and ease the pressure with the sounds of home taping! two top workouts that will rule the floor! press play and feel the rhythms!!

two of the most promising producers go head to head & present with >it was acid<, an absolute dancefloor-killer-track. hornbostel & azzetto understand like no other how to bring the sound of the 90s into the 21st century & remind us all that there were great times in the past.

supplement facts records takes us to that detroit sound, with their next release featuring sierra sam & marcus vector… the auteurs of industrial techno. the man made jobs e.p. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. the opener >gangsta pimp style< echoes technos birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. >things you do< moves things to a bit lighter frame, but dont let that description lull you into thinking it as throwaway. this tracks dominates with the ever-present high stringnote that made so many hits in the past. this classic sensibility and a vocal hook which you will be humming for days later…make this track memorable. taking us straight to the 90s, >flagboy< is the final track to round up this powerhouse of a release. featuring vocals from rockey wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. its all there - the piano stabs, the cowbells, the soulful vocal. all these elements mixing together to create a track so euphoric that you can finally delete your >pusher-man< contact from your blackberry because this is the newest legal high!

classic item from 90s now 2010 remake, original (cj bolland) is played by marcel dettmann

big with laurent garnier, elliot dodge, angel molina, andy vaz, tomaz,… self defence return with more almost perverted deepness on our 3rd release. after lopaaz, don williams and russ gabriel on the first releases, sdf now strikes back with belgiums franco cangellis superb >raw emotions< remix ep. the mixes got re-emotionalized by dan curtin and russ gabriel who both are no strangers the variable world of electronic music – one could call them pioneers and thats clearly demonstrated in the result of these outstanding tracks. deep, groovin, nicely textured detroit funk, a very round affair and dj crate must have being the result. russ gabriel of ferox fame, recorded for most of the major techno forces of the 90s: carl craigs planet-e, peacefrog records, djax-up- beats, gpr, force-inc, soma recordings, new electronica and dave clarkes magnetic north, while dan curtin walked his path in the us with his own label metamorphic recordings, and with his profile on the rise, he eventually caught the attention of peacefrog in the mid nineties…

new label foto recordings launches with two reworks from glasgows ooft! music. showcasing some seriously deep house on the a-side, ride in to the red zone is ooft!s homage to those early 90s new york dons. meanwhile on the flip a certain classic disco jam gets reworked into a simple club banger courtesy of some chopped samples and added hardware. simple but effective.

limited white label with more sommer 2010 flavours

patch park is no stranger to be as one, having released one of its greatest tracks of last year, 7 miles. now its time for oddity to ignites the floors, a masterpiece from patch, delivering it in be as one style. with a groovy techno bass line and the freaky 90s sounds patch park is breaking the market again with another summer anthem. swiss techno lord deetron makes his second appeareance on be as one with his remix to patchs original. techno for the morning, druggy and twisted!

from franco cinellis main remix to his nyc bass line mix going through the hatapella tool, the man in charge takes all the glass original elements remodeling them to higher grounds. franco cinellis genius blend of dubby techno with original 90s nyc house synths and bass lines proves once again to be the perfect balance. this re-edition record follows up on two brilliant edits on aux-rec, baker man by soul clap and caught up by childhood 87. by aux-rec criterion, it will only come out on 12 inch vinyl. franco cinellis nyc bass line mix will be accessible as bonus to record-buyers only.

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late

massive cool acid banger! hot reverse spining wax

here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

early 90s mini-lp by todd terry.

five tracks in pic sleeve on textured paper w/inner bag listing track details. recordings from late 90s to 2009 in a variety of styles encompassing the things he does. mostly typical kdj house, with some nice analogue synth work, an analogue >noise< track, and a jazz piece. contains extra vinyl crackle between the tracks to go with the title. check!

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

second release of barraput with a new of biggest 90s release. edit by mop.

banging hardtechno remake of the 90s classic stereo murder. hard rolling beats and a monster break. at the b-side a live version recorded at miss djax live performance at u60311 frankfurt germany. just in time for the summer festivals and heavy supported by pet duo: >its a hit!<

allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

space ranger comes from the stars. the trio based in stuttgart have a wide experience and an unlimited love for music. in their previous disguises they have done remixes for the likes of kool & the gang, sugababes and kurtis blow, but now they are absolutely focused on this new project. space is the place. he three members their dj careers in late 80s / early 90s and they are strongly influenced by the deep club sound of those days. combining sophisticated production skills, a huge range of analogue equipment and a long-term experience of what works on dance floors around the world they know how to move the crowds. by accessing to samples taken from a huge collection of old-school dance, disco and soul records they are creating the distinctive and sophisticated house and disco sound of today

these days presents an impressive compilation of six drum tools/beats on a single 12inch especially made for dj use. our favorite beat-makers, from radio slave to marlon d and jerome sydenham, contribute exclusive drum moments from new-school new york to more chicago jacking and techno. comes with a beautifully curated nostalgic 90s cover. essential!

one of the best house track from sneak !! one of the second wave of influential chicago house producers and a member of the vanguard of late- 90s starts a new label for his classic production since 1993.for his first release, the killer track called love released in 1995 on 83 west is for pure house track lovers & collector items. bonus, a new remix by sneak himself ! you cannot miss this release

ltd clear vinyl !! ww 150 copies !!! one of the best house track from sneak !! one of the second wave of influential chicago house producers and a member of the vanguard of late- 90s starts a new label for his classic production since 1993.for his first release, the killer track called love released in 1995 on 83 west is for pure house track lovers & collector items. bonus, a new remix by sneak himself ! you cannot miss this release

a welcome return for jaime read who has been releasing quality deep house and techno since the mid 90s via his own push ii shove label, tenth planet, fragmented and ugly music. here he drops a timeless ep of house and techno rythims to great effect. messages from outer space is a deep slice of timeless 808 driven electro soul. name no names moves along with spaced out keys and a sax line reverbed to great effect. no relief has that old school chicago house sound with piano stabs and a lush string breakdown. digital acid wraps it up sounding much like the title suggests with deep 808 bass and floor smashing snares

new black acre special armed response unit returns with a party rocker celebrating an era the artist is too young remember and the a&r was too high to remember.
pumpin like reeboks: an adrenaline soaked dose of pure nosebleed speed garage rave crossbred with dubsteps bassonics and 90s b-boy swagger. raffertie hits his stride with his most accessible & anthemic work to date. pounding 4x4 kicks bounce off cylon bass cannon blasts and crashing 808 claps battle rave sirens for dominance of the air space. clipped vocal edits and pinpricks of distorted noise are littered though out this blood pressure raising carnival ride as a constant reminder that this is party music with intellect.

evoking memories of the heady days of 90s house, toby delivers lashings of guitar licked funk and powerfully warm bass. polished to perfection by the sultry vocals of ilhem. this is one track that is calling out for sea, sunshine and beautiful people!

ferrispark records has always been known for its devotion to unique and soulful releases heavily influenced by the deep sounds of detroit and chicago. carrying on in the same manner is scott fergusons, disco and deep house infused, >midwest born & bred ep<. the first mix of >keep on lovin me< mixes dirty detroit rawness with chi-town acid to get dance-floors stirring while the second mix is more reminiscent of mid-90s nyc and chicago house. in the late hours of the night, flip the record over for the seriously grooving, slow, deep, and druggy, >staggerin & stumblin<.

the disaffected sleeping beauty ernestina has awaken! destroyer, its not a name its a mission. here are four wicked tracks destined to destroy any party, the dj desk, the location and actually all that is unfortunate enough to be around... dirty kickdrums and screaming classic samples, this is one of italys finest! during the 90s ernestina wrote musical history in italy and all across europe. the original track has been made when the destroyer was 16 years old and thats our remake of this classic! ernestina is back. she is angry. the sh-evil is hungry!

he is the talented french man that has been in the music scene since the mid 90s. he has actively produced for several labels among which confused recordings, break new soil, definitive, different, datapunk, goodlife and international deejay gigolo records. now he is starting up a new platform, called signature by kiko, where he will be sharing his latest works with you.

limited edition reissue of the special disco version of bill withers 1979 classic you got the stuff, a magnificent funky disco cut with a super cool five minute groovin cosmic section that was made famous again in the 90s after being chopped up by dj harvey for his black cock free range ep. still sounding stunning today, this track will rock any discerning floor and remains a huge favourite with disco djs. the original changes hands for top dollar so grab a copy of this stone cold classic while theyre around. dont sleep!

laying low in the cut after the much lauded >recession vol.1< mix album and his wrily-titled futuristic crossover >euro dance hit<, caravan label head honcho julian smith aka october returns from deep studio retreat with possibly his best, certainly most forward thinking dance floor record to date. as always october takes a big slice of his inspiration from the detroit techno sound of the 80s and early 90s which is clearly evident on the second cut on this plate in particular. however you simply cannot ignore his perhaps more euro-centric dub tendencies and broken-beat rhythm principles that always inform his overall composition and production ethos.

nice first release with the hague, bunker sounding tracks with flirts to italo disco and electro. a sound that is retro-ish late 90s (1999?) just before electro clash became so big.

italian shooting star nicholas delivers a sick 90s house ep after the highly succesful swde003 .. dropping some serious maws style pressure. side a, presents >take me away<. imagine a classic chandlers production of the mid 90s side b, offers 2 tracks only a touch retro house. >if you believe< reminisces of luther v. happy summer tune, and bring back the 90s! >the way<, has a more r n b appeal mixed with house

slamming 90s infected joey negro vocal - disco house monster / incl dub mixes

lil tony is hotter than hot. while starting to dj and produce years ago, tony has been a staple in the scandinavian club scene since the early 90s. an amazing dj (actually one of the favourites around the moodmusic hq) and a talented producer, tony started with the fbi project with roberto rodriguez and kimmo oksanen before dropping some serious damage on raw trax vol. 1 last year on moodmusic. caned by everyone from luciano (he edited his own version of semble) to dj hell, tonys raw grooves cut the crap and moved people when other producers had to take a leak. hardworking, never forgetting his gentleman manners, tony is here to stay and raw trax vol. 2 is a bold new statement, and his best work to date. solid state takes the classic detroit influenced drum machine vs piano theme a step forward, a impeccable jam of 15 minutes with the beat keeping the pace, this has been roadproofed the last 6 months to good effect. the b-side karamba is a dry, tight driven tech-workout, perfect mixtool for the deeper techno as well as housier sets. it just works well. the closing checkpoint charlie is a tale of >lost in helsinki< – dark mean bass wanders around and gives space for the chuggin main line, monotonic body music at its best.

nice price deal !!! sr.click (juanjo matos) is an experienced dj from the end of the 90s who started producing electronic music in 2003 and in 2005 co-founded the inoquo netlabel. his minimal techno productions show an experimental spirit who has been able to assimilate many samples and mix them with galloping grooves, making up his unique style. after playing in sonar 2008 and participating in angel molinas wax session 3, the new techno label flatmate music based in barcelona is now releasing his first 12 inch.

>be at risk< was created at tracknotic studios located somewhere in the beautiful and magical hills of ibiza. it was recorded and produced by bea tricks and beatmaster g (producer/beatboxer) using state of the art class a equipment and a whole lot of good vibes. wide range of influences can be heard when listening to >be at risk< … such as: electro pop, punk rock, hip hop, old school, 90s techno …